(Movie Review) 'The Eyes' paints obsession, fear of fading sight with classical touch

(Movie Review) The Eyes

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| 2026-06-22 11:56:43

▲ Shin Min-a plays Seo-jin in the mystery thriller "The Eyes," in this image provided by Solaire Partners and BY4M Studio. (PHOTO NOT FOR SALE) (Yonhap)
▲ Kim Nam-hee plays Do-hyeok in the mystery thriller "The Eyes," in this image provided by Solaire Partners and BY4M Studio. (PHOTO NOT FOR SALE) (Yonhap)
▲ Shin Min-a plays Seo-jin in the mystery thriller "The Eyes," in this image provided by Solaire Partners and BY4M Studio. (PHOTO NOT FOR SALE) (Yonhap)

(Movie Review) The Eyes

(Movie Review) 'The Eyes' paints obsession, fear of fading sight with classical touch

By Lee Minji

SEOUL, June 22 (Yonhap) -- Losing one's sight may be one of the most unbearable experiences imaginable -- especially when being chased by someone who knows how vulnerable you are.

In the mystery thriller "The Eyes," artistic twins Seo-jin and Seo-in (both played by Shin Min-a) slowly lose their sight due to a degenerative eye disease that runs in the family.

While both women pursue careers in the arts, it is the younger twin Seo-in, who loses her sight first yet succeeds in building a successful career as a ceramicist.

For Seo-in, the loss of her vision is a source of artistic inspiration, and she refuses Seo-jin's suggestion that she undergo surgery to restore her sight.

Seo-jin, the more responsible and realistic of the two, is a photographer. She faithfully looks after her sister but finds herself overwhelmed by conflicting emotions as Seo-in's career flourishes -- envy over her sister's success, frustration at her refusal to seek treatment and guilt over feeling that way at all.

The sisters eventually drift apart until one day, Seo-jin discovers Seo-in dead at her rural townhouse.

Knowing Seo-in, Seo-jin refuses to accept the police's conclusion that she died by suicide.

She sets out to investigate the truth behind her sister's death while also fleeing Hyun-min (Lee Seung-ryong), a model she used to photograph, who continues to stalk her despite a restraining order.

With the help of Do-hyeok (Kim Nam-hee), a local detective, Seo-jin begins tracking her sister's murderer as her own eye-related symptoms continue to worsen.

The movie introduces a series of unsettling characters who were each part of Seo-in's life in the countryside town, all uncanny in their own ways, gradually revealing the disturbing presence that had been lurking around the sisters.

"The Eyes" begins as a modern crime thriller, depicting the fear of a woman fighting off a stalker in Seoul. But as the film's main stage shifts to the rural town where Seo-in had settled, its mood swings.

The quiet and dark nights of the countryside, coupled with Seo-in's wardrobe of deep-colored palettes, create an atmosphere well suited to a mystery thriller that could have belonged to an earlier era, if not for the presence of mobile phones.

In fact, Director Yeom Ji-ho enthusiastically blends in scenes reminiscent of classic suspense thrillers and horror films, paying homage to masters, such as Stanley Kubrick and Alfred Hitchcock.

While these elements imbue a classical touch to the film, they also create a theatrical mood that may feel unnatural to some viewers as the film reaches its conclusion.

Apt for a movie that centers on the fear of losing sight, the film shrewdly uses visual techniques, including blurring, unsettling viewers as they experience the world through Seo-jin's failing eyes.

Shin, who has mostly appeared in rom-coms and warm human dramas, delivers a solid performance throughout the film, trying to capture the subtle difference between the two sisters and the fear that haunts them.

"The Eyes" is a remake of the Spanish psychological thriller "Julia's Eyes" (2010).

It is set for release Wednesday.

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